{"id":1068,"date":"2013-06-25T01:09:29","date_gmt":"2013-06-24T22:09:29","guid":{"rendered":"http:\/\/www.mustafaozcan.info\/blog\/?p=1068"},"modified":"2013-06-25T01:09:20","modified_gmt":"2013-06-24T22:09:20","slug":"antoni-gaudi-25-haziran-2013","status":"publish","type":"post","link":"https:\/\/www.mustafaozcan.info\/blog\/antoni-gaudi-25-haziran-2013.html","title":{"rendered":"Antoni Gaudi 25 Haziran 2013 | Google Antoni Gaudi Kimdir"},"content":{"rendered":"
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Bug\u00fcn Google yine anasayfas\u0131n\u0131 in\u015fa etti\u011fi\u00a0Antoni Gaudi<\/strong> kimdir bunu sizlere anlatal\u0131m.Herkes anasayfada \u00e7\u0131kan\u00a0Antoni Gaudi<\/em> resmini merak ediyor.Antoni Gaudi<\/strong> bende hemen sizlere bunun hakk\u0131nda bilgi vereyim.Antoni Gaudi<\/strong> Kimdir?<\/p>\n

Antoni Gaudi<\/h1>\n

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Google<\/strong> anasayfas\u0131n\u0131 Doodle ile s\u00fcsleyen Antoni Gaud\u00ed<\/strong> tam ismiyle Antoni Pl\u00e0cid Guillem Gaud\u00ed i Cornet<\/strong>,isimli Art Nouveau ak\u0131m\u0131n\u0131n\u00a0\u0130spanya\u2019daki \u00f6nc\u00fcs\u00fc olan \u00fcnl\u00fc Katalan mimard\u0131r. Barselona\u2019n\u0131n en \u00fcnl\u00fc mimari eserlerinin yarat\u0131c\u0131s\u0131 olan Antoni Gaudi<\/strong>,\u00a025 Haziran 1852<\/strong><\/em>\u2019de Katalonya\u2019n\u0131n Reus kentinde d\u00fcnyaya gelmi\u015ftir.\u00d6l\u00fcm<\/strong>: 10 Haziran 1926 y\u0131l\u0131nda, Barselona<\/strong>, \u0130spanya \u015fehrinde ger\u00e7ekle\u015fmi\u015ftir.<\/p>\n

Bug\u00fcn 161’nci y\u0131ld\u00f6n\u00fcm\u00fc kutlanan Gaudi Doodle<\/strong> ile Google anasayfas\u0131n\u0131 s\u00fcsledi.<\/p>\n

Antoni Gaudi Kimdir<\/h1>\n

E\u011fitimini 8 y\u0131lda tamamlayan Antoni Gaudi,1878 y\u0131l\u0131nda Barselona, sanatsal etkinliklerin merkezi halindeyken\u00a0Gaudi’nin ki\u015fili\u011finin geli\u015fiminde b\u00fcy\u00fck etkisini g\u00f6rm\u00fc\u015ft\u00fcr.<\/p>\n

Antoni Gaudi’nin eserleri<\/h3>\n

G\u00fcell Pavilyonu<\/strong>, G\u00fcell Saray\u0131<\/strong>, G\u00fcell Mahzeni<\/strong>, Colonia G\u00fcell T\u00fcrbesi<\/strong> ve G\u00fcell Park\u0131<\/strong> isminde eserler vermi\u015ftir.Antoni Gaudi\u00a0Teresano Koleji<\/strong>, kendisine y\u0131l\u0131n binas\u0131 \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131ran Celvet Evi<\/strong>, Bellesgurad Villas\u0131<\/strong>, Battlo Evi<\/strong> ve La Pedrera<\/strong> ad\u0131yla bilinen Casa Mil\u00e0<\/strong> eserleride vard\u0131r.<\/p>\n

Gaudi\u2019nin ilk mesleki \u00e7al\u0131\u015fmalar\u0131na bakt\u0131\u011f\u0131m\u0131zda a\u015f\u0131r\u0131 s\u00fcsl\u00fc Victoria d\u00f6nemini g\u00f6rmekteyiz. Bununla birlikte Orta\u00e7a\u011f mimarisine b\u00fcy\u00fck bir hayranl\u0131k duyar ve Neo-Gotik mimari tarz\u0131n\u0131 ilk eserlerinde kullan\u0131r. Kulland\u0131\u011f\u0131 bu tarza ra\u011fmen, Gotik\u2019in ka\u00e7\u0131n\u0131lmaz \u00f6\u011felerinden biri olarak kabul etti\u011fi u\u00e7an payandalar\u0131 kubbelerin a\u011f\u0131rl\u0131\u011f\u0131n\u0131 \u00e7ekmek i\u00e7in basit bir de\u011fnek olarak g\u00f6r\u00fcyordu ve k\u00fc\u00e7\u00fcmser bir \u015fekilde bunlara de\u011fnek diyordu. En b\u00fcy\u00fck iste\u011fi bu de\u011fneklerden ba\u011f\u0131ms\u0131z olarak bir bina in\u015fa etmekti. (\u0130lk belirtileri Mila evi ve di\u011fer eserlerinde g\u00f6r\u00fclen parabolik kemerlerin \u00e7\u0131k\u0131\u015f e\u011fimlerinde g\u00f6rmekteyiz.) Gaudi ayn\u0131 zamanda End\u00fcl\u00fcs, Hint ve M\u0131s\u0131r sanat\u0131 ile ilgileniyordu ve bu etkile\u015fim baz\u0131 eserlerinde Mudejar stilini \u00e7a\u011fr\u0131\u015ft\u0131r\u0131yordu.<\/p>\n

\u00d6\u011frencili\u011fi d\u00f6neminde hayat\u0131n\u0131 kazanmak i\u00e7in \u00e7e\u015fitli i\u015fler ger\u00e7ekle\u015ftirir, yapt\u0131\u011f\u0131 bu \u00e7al\u0131\u015fmalar gelecekteki i\u015f ya\u015fam\u0131nda kendisine yard\u0131m eder. Zaten kendi yarat\u0131c\u0131 kapasitesini geli\u015ftirmek i\u00e7in zanaatkarlar ve sanat\u00e7\u0131lar yan\u0131nda di\u011fer mimarlar i\u00e7in \u00e7al\u0131\u015fmaktad\u0131r. Bu \u015fekilde okulunu bitirinceye kadar yan\u0131nda kald\u0131\u011f\u0131, Barcelona Belediyesi\u2019nin eserler hocas\u0131 Manstre Menstres ile \u00e7al\u0131\u015f\u0131r. Bu d\u00f6nemlerde Manstre Menstres\u2019in say\u0131s\u0131z projelerine i\u015ftirak etmi\u015ftir. Bunlar\u0131n aras\u0131nda \u201cbedenler i\u00e7in akci\u011ferler ne ise \u015fehirler i\u00e7in bah\u00e7eler odur\u201d slogan\u0131 ile sunulan \u015fehir park\u0131 proje yar\u0131\u015fmas\u0131 ve Barcelona\u2019n\u0131n ilk metalik yap\u0131s\u0131 olan Borne \u00c7ar\u015f\u0131s\u0131\u2019n\u0131n projesini sayabiliriz.<\/p>\n

Di\u011fer mimarlar i\u00e7in i\u015f yaparken, \u00e7ok yetenekli bir zanaatkar olan Edualdo Punti ile de \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Edualdo Punti ferforje, marangozluk, cam i\u015fi ve t\u00fcm sanat ve sanatsal end\u00fcstrilerde uzman bir ki\u015fiydi. Bu at\u00f6lyecilerin yan\u0131nda \u015fehir park\u0131n\u0131n dekoratif eserleri i\u00e7in \u00e7al\u0131\u015fan heykeltra\u015f, modeli
\nst ve s\u00fcslemeci olan Lorenzo Matamala Pinyol vard\u0131. Gaudi\u2019nin gelecekteki bir\u00e7ok eserinde en b\u00fcy\u00fck destek\u00e7isi olan Esubio G\u00fcell\u2019le tan\u0131\u015fmas\u0131 yine bu at\u00f6lyelerde ger\u00e7ekle\u015fir. Bu \u015fekilde ba\u015flayarak G\u00fcell\u2019in 1918\u2019deki \u00f6l\u00fcm\u00fcne kadar bir ili\u015fki kurulmu\u015ftur. At\u00f6lyelerde al\u00e7\u0131 modellerle, kraliyet meydan\u0131 ve kraliyet saray\u0131 i\u00e7in sokak fenerleri kal\u0131b\u0131 yap\u0131m\u0131nda \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Bundan dolay\u0131 Gaudi, kamu ve kentsel ayd\u0131nlatmaya uzanan bir ar\u015fiv olu\u015fturur.
\nGaudi mimariyi, \u0131\u015f\u0131\u011f\u0131n, polikromi\u011fin, sesin, mozaiklerin, \u00e7ok renkli seramiklerin, yani daha \u00f6nce hi\u00e7bir mimarl\u0131kta kullan\u0131lmayan ya da daha sonra yap\u0131lan mimarl\u0131kla hi\u00e7bir ilgisi olmayan \u0131\u015f\u0131\u011f\u0131n kayna\u015ft\u0131\u011f\u0131 integral bir sanat olarak g\u00f6r\u00fcyordu. Do\u011fay\u0131 her zaman yarat\u0131c\u0131n\u0131n bir eseri olarak g\u00f6r\u00fcyor ve \u00e7al\u0131\u015fmalar\u0131nda tekni\u011fi a\u015fan bir spirit\u00fcelli\u011fi eserlerine kat\u0131yordu.<\/p>\n

Baz\u0131 do\u011fal ya da dinsel simgeler d\u0131\u015f\u0131nda Gaudi\u2019nin yap\u0131lar\u0131, temelde str\u00fckt\u00fcrlerini ve malzemelerini a\u00e7\u0131k\u00e7a yans\u0131tmaktayd\u0131. Barcelona\u2019daki Bell Esguard villas\u0131 (1900-1902) ve G\u00fcell Park ile (1900-1914) kentin g\u00fcneyindeki G\u00fcell \u015eapeli\u2019nde (1898-1915) \u201cdengelenmi\u015f\u201d (i\u00e7eriden ya da d\u0131\u015far\u0131dan hi\u00e7bir destek \u00f6\u011fesi olmadan kendi ba\u015f\u0131na ayakta duracak \u015fekilde tasarlanm\u0131\u015f) bir str\u00fckt\u00fcr geli\u015ftirdi. At\u00f6lyesini ziyaret edenlere bazen \u015f\u00f6yle soruyormu\u015f \u201cKendi idealime nerede rastlad\u0131m biliyor musunuz? Ayakta duran bir a\u011fa\u00e7 kendi dallar\u0131n\u0131 tutuyor ve bunlar da daha k\u00fc\u00e7\u00fck dallar\u0131 ve bunlar da yapraklar\u0131\u2026 A\u011fac\u0131n her k\u0131sm\u0131 kendi i\u00e7inde.\u201d Bu tan\u0131mla sistemin ba\u015fl\u0131ca elemanlar\u0131 e\u011fik gelen y\u00fckleri aktarmak i\u00e7in kullan\u0131lan ayak ve s\u00fctunlarla ince kiremit levhalardan olu\u015fturulmu\u015f hafif tonozlard\u0131. G\u00fcell \u015eapeli\u2019nin kubbesi bu ilke do\u011frultusunda, e\u011fik s\u00fctunlarla oturtulmu\u015ftur. Gaudi bu dengeleme sistemini Barcelona\u2019da Casa Batllo (1904-1906) ve La Pedrera (Ta\u015f Oca\u011f\u0131) diye an\u0131lan Casa Mila\u2019da uygulam\u0131\u015ft\u0131r.<\/p>\n

Casa Mila, b\u00fcy\u00fck bir kaya k\u00fctlesinin i\u00e7ine oyularak olu\u015fturulmu\u015f gibidir. Y\u00fckler, ta\u015ftan kolon ve kiri\u015flerle ta\u015f\u0131n\u0131r, duvarlar\u0131n hi\u00e7biri ta\u015f\u0131y\u0131c\u0131 de\u011fildir. T\u00fcm\u00fcyle e\u011fridirler ve dalgal\u0131 \u00e7izgilerin egemen oldu\u011fu her iki kat evinin de gerek k\u00fctleleri, gerek cepheleri da\u011flarla denizin bulu\u015fma yeri olan Katalonya do\u011fas\u0131na g\u00f6ndermeler yapar gibidir.<\/p>\n

Gaudi\u2019nin en b\u00fcy\u00fck \u00e7al\u0131\u015fmas\u0131 ve en \u00e7ok bilineni La Sagrada Familia (Kutsal Aile) katedralidir. Bu \u00e7al\u0131\u015fma onun yarat\u0131c\u0131 zekas\u0131n\u0131n \u00fcr\u00fcn\u00fc ve Barcelona\u2019n\u0131n d\u00fcnyaca bilinen sembol\u00fcd\u00fcr. Gaudi bu g\u00f6revi 1883 y\u0131l\u0131nda \u00fcstlenmi\u015ftir. Bu projeye \u00f6ncelikle Neo-Gotik proje tarz\u0131nda 1882 y\u0131l\u0131nda F. Del Villar taraf\u0131ndan ba\u015flanm\u0131\u015ft\u0131r. Bu yap\u0131 sembol kompleksi, inanc\u0131n g\u00f6rsel a\u00e7\u0131klamalar\u0131 ile onun b\u00fct\u00fcn mimarl\u0131k bilgisinin bir sentezidir. Fa\u00e7adelerde \u00f6l\u00fcm ve ya\u015fam fig\u00fcrleri, 18 kulede on iki havari, d\u00f6rt evanjelist ve Bakire Meryem ile \u0130sa sembolize edilmi\u015ftir. Bu sonuncusu en uzun kuledir (yakla\u015f\u0131k 170 m). Bu kilise Gotik basilika temelinde 5 kilise, bir transept, bir yar\u0131m kubbe ve bir ambulatory\u2019den in\u015fa olunmu\u015ftur. Gaudi, La Sagrada Familia\u2019n\u0131n merkezi omurgas\u0131nda \u00e7ok otantik bir s\u00fctunlar orman\u0131 yaratm\u0131\u015ft\u0131r, model s\u00fcslemecili\u011fi do\u011fal \u015fekillerden alm\u0131\u015f, fakat s\u00fcslemecili\u011fini saf bir \u015fekilde korumu\u015ftur.<\/p>\n

Gaudi do\u011fa y\u00fczeyinin alt\u0131nda eylem g\u00f6steren g\u00fc\u00e7ler oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyordu ve g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u015feyin kesin olarak bu enerjinin d\u0131\u015fa do\u011fru bir yans\u0131mas\u0131 oldu\u011funu belirtiyordu.<\/p>\n

Kendisini \u00e7a\u011fda\u015flar\u0131ndan ay\u0131ran pragmatik bir mimard\u0131. Plan ve masa \u00fczerinde \u00e7al\u0131\u015fm\u0131yor, her zaman i\u015fe haz\u0131r bulunuyordu ve i\u015f\u00e7ilerle tart\u0131\u015f\u0131p d\u00fc\u015f\u00fcn\u00fcyordu. \u00c7izimleri empresyonistlerin \u00e7izgilerine benziyordu.<\/p>\n

Gaudi\u2019nin al\u0131\u015f\u0131ld\u0131k malzemesi tu\u011flalarla yuvarlak ve de\u011fi\u015fik de\u011fi\u015fik geometrik \u015fekillerde s\u00fctunlarla dikkat \u00e7ekiyor. Bu malzemeyi kendisi bazalt bloklarla desbaster ta\u015f bloklarla tamaml\u0131yordu. Bloklar\u0131n birle\u015fme mekanlar\u0131nda kur\u015funla kar\u0131\u015fm\u0131\u015f orta\u00e7a\u011f \u00f6\u011felerine geri d\u00f6n\u00fcyor, desteklenmi\u015f kemerler tekrar ortaya \u00e7\u0131k\u0131yordu. Buna \u00f6rnek olarak Bellavista evindeki \u00e7ok g\u00fc\u00e7l\u00fc binada bulunan kulede orta\u00e7a\u011f stilini yans\u0131tm\u0131\u015ft\u0131r. Bina fa\u00e7adesinin organizasyonu uzaktan orta\u00e7a\u011f\u0131 hat\u0131rlat\u0131yor ve bur\u00e7 \u015feklinde bir g\u00fc\u00e7lendirici kullan\u0131lm\u0131\u015f, bu \u015fekilde \u00fcst taraf\u0131n g\u00fcvenli\u011fini sa\u011flanm\u0131\u015ft\u0131r. Bu bina, Katalonya\u2019n\u0131n filizlendi\u011fi zamanlara ait bir hat\u0131ran\u0131n an\u0131t\u0131 olarak an\u0131lmal\u0131d\u0131r. Giri\u015f kap\u0131s\u0131ndaki mozaiklerde, baz\u0131 tarihi sembolik \u015fekiller g\u00f6r\u00fclebilir. Merkezde iki mavi bal\u0131k vard\u0131r ve bunlar\u0131n her birinin \u00fczerinde o d\u00f6nemde Barcelona\u2019y\u0131 temsil eden b\u00fcy\u00fck deniz imparatorlu\u011funa at\u0131fta bulunan sar\u0131 bir ta\u00e7 bulunur.<\/p>\n

Gaudi ate\u015fli bir ekip \u00e7al\u0131\u015fmas\u0131 savunucusuydu. Ona g\u00f6re \u201c\u00e7al\u0131\u015fma i\u015fbirli\u011finin \u00fcr\u00fcn\u00fcd\u00fcr ve bu da sadece a\u015fka dayan\u0131yorsa m\u00fcmk\u00fcnd\u00fcr.\u201d Gaudi asla do\u011fu\u015ftan bir teorisyen de\u011fildi. \u0130nand\u0131\u011f\u0131 \u015fey, bir mimar\u0131n \u00f6devinin b\u00fcy\u00fck projeler yapmak olmad\u0131\u011f\u0131, bunlar\u0131 prati\u011fe ta\u015f\u0131mak oldu\u011fuydu. B\u00fct\u00fcn eserlerinde otantik anahtarlar olan semboller kullanm\u0131\u015ft\u0131r. \u00d6rnek olarak G\u00fcell Park\u0131\u2019na giri\u015fte an\u0131tsal bir \u00e7e\u015fmede g\u00f6r\u00fclen bu sembollerden baz\u0131lar\u0131 \u015funu g\u00f6stermektedir:<\/p>\n

Seramik par\u00e7alar\u0131 ile yap\u0131lm\u0131\u015f ejderha, b\u00fct\u00fcn k\u00fclt\u00fcrlerin mitosunda yer alan pitonu (yer alt\u0131 sular\u0131n\u0131n bek\u00e7isi) simgelemektedir. Bu ejderhan\u0131n biraz \u00fcst\u00fcnde ya\u011fmur suyu toplayan 12 ton hacminde bir su deposu vard\u0131r. Biraz yukar\u0131s\u0131nda bulunan bir s\u00fctun yard\u0131m\u0131yla Gaudi, y\u0131lan\u0131n ba\u015f\u0131 ve iki renkli yiv arac\u0131l\u0131\u011f\u0131yla Katalonya armas\u0131na at\u0131fta bulunur. Ayn\u0131 basamaklar ge\u00e7mi\u015f zaman\u0131 hat\u0131rlat\u0131r, fakat yukar\u0131 do\u011fru \u00e7\u0131k\u0131ld\u0131k\u00e7a \u00e7ok daha uzak zamanlara do\u011fru uzan\u0131r. Dor stilinde kolonlara sahip ana giri\u015f kap\u0131s\u0131 y\u00fczlerce y\u0131ll\u0131k bir Yunan tap\u0131na\u011f\u0131 gibi y\u00fckselmektedir.<\/p>\n

Gaudi\u2019nin bir\u00e7ok eseri sadece do\u011faya adapte edilmi\u015f de\u011fil, sanki do\u011fadan do\u011fuyor gibidir. Bu y\u00fczden UNESCO 1984 y\u0131l\u0131nda Gaudi\u2019nin eserlerini sanatsal koruma alt\u0131na alm\u0131\u015ft\u0131r.<\/p>\n

Gaudi 10 Haziran 1926\u2019da, 16 y\u0131ldan beri in\u015fas\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fc La Sagrada Familia Katedrali\u2019ne giderken, bir tramvay\u0131n \u00e7arpmas\u0131 sonucu \u00f6ld\u00fc.<\/p>\n

Bu yap\u0131 ustas\u0131 hakk\u0131nda daha \u00f6\u011frenilmesi gereken \u00e7ok \u015fey var!<\/p>\n

Gaudi, La Sagrada<\/strong> Familia’y\u0131 bitiremeden 7 Temmuz 1926’da 74 ya\u015f\u0131ndayken bir trafik kazas\u0131nda hayat\u0131n\u0131 kaybetti ve La Sagrada Familia<\/strong>‘ya g\u00f6m\u00fcld\u00fc.<\/p>\n

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Bug\u00fcn Google yine anasayfas\u0131n\u0131 in\u015fa etti\u011fi\u00a0Antoni Gaudi kimdir bunu sizlere anlatal\u0131m.Herkes anasayfada \u00e7\u0131kan\u00a0Antoni Gaudi resmini merak ediyor.Antoni Gaudi bende hemen sizlere bunun hakk\u0131nda bilgi vereyim.Antoni Gaudi Kimdir? Antoni Gaudi Google anasayfas\u0131n\u0131 Doodle ile s\u00fcsleyen Antoni Gaud\u00ed tam ismiyle Antoni Pl\u00e0cid Guillem Gaud\u00ed i Cornet,isimli Art Nouveau ak\u0131m\u0131n\u0131n\u00a0\u0130spanya\u2019daki \u00f6nc\u00fcs\u00fc olan \u00fcnl\u00fc Katalan mimard\u0131r. Barselona\u2019n\u0131n en \u00fcnl\u00fc […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"powered_cache_disable_cache":false,"powered_cache_disable_critical_css":false,"powered_cache_specific_critical_css":false,"powered_cache_disable_css_optimization":false,"powered_cache_disable_js_optimization":false,"powered_cache_disable_js_defer":false,"powered_cache_disable_js_delay":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[1331,1340,1335,1336,1334,1337,1338,1333,1332,1339],"class_list":["post-1068","post","type-post","status-publish","format-standard","hentry","category-genel","tag-antoni-gaudi","tag-antoni-gaudi-biyografisi","tag-antoni-gaudi-dogum","tag-antoni-gaudi-doodle","tag-antoni-gaudi-eserleri","tag-antoni-gaudi-google-resmi","tag-antoni-gaudi-google-com-tr","tag-antoni-gaudi-hayati","tag-antoni-gaudi-kimdir","tag-antoni-gaudi-kimdir-biyografisi"],"_links":{"self":[{"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/posts\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":0,"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/posts\/1068\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/media?parent=1068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/categories?post=1068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mustafaozcan.info\/blog\/wp-json\/wp\/v2\/tags?post=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}